David Mitchell
Jim and Tim,
All this great photography is making me jealous. I have been a serious photo hobbiest off and on three different times in my life and I miss the hobby very much. I have an "itch" to get back in again but have only the desire to get back into something I cannot presently afford (the exciting new Fuji X system cameras - expensive stuff).
We started talking pictures in my home on a vintage Kodak Brownie box camera. It was a simple black box that you held down above your waist and looked through a crude tiny "wasit-level" finder. The shutter release button was a tiny bent aluminum lever on the side of the body of the camera.
(similar to this)

I am sorry. I cannot get the photos to load without them being huge oversized files.
Then we got a fancy new Kodak "Duo-Flex" model that was really cool looking. And you flipped open a much bigger and cooler (more cool?) form of "waist-level" finder - also shot from mid-chest looking down into the viewer. It was a "Twin Lens" viewer. We used this one for years. And remember, these first two cameras used the wider "120 Roll Film".

Sometime in the mid 50's my Uncle Ralph returned from a business trip to Germany (first employee of Abbott Labs) with gifts for all of us. He bought my Dad a "Kodak Retina IIa". It was a gorgeous little thing that shot the "new" 35 mm film. It had the coolest little lens cover/door that swung out and pulled the lens out with a small leather extension bellows. The lens was a fine glass 50mm f 2.0 Scheider "Xenon" lens (and sharp as a tack!). This was a really proffessional camera. You could adjust the focus, the lens aperture, and shutter speed on a small rings around the lens. There was also a dial to set varuous "ASA" speeds" with the actual names of about 6 or 8 types of Kodak film on the setting ring. But you had to "read" your light with a separate hand held light meter to be able to make your exposure setttings. I still have that old light meter around somewhere. I got interested in using the camera about age 14 and my Uncle Ralph who lived in a far away place called Clintonville showed me how it all worked. As I began to grasp the inter-relationship of lens speed, aprerture setting, and focus I became mesmerized!
Later in the sumer of 1965, Dad let me take the camera with me to a summer of school in Salzburg, Austria. One of my favorite times was a night of shooting all the lighted fountains and statues of the city. A couple of us went out with a tripod and shot scenes using our own "one one thousand, two one thousand" count while we guessed at three different exposure times - a short one, medium one, and a long one. Salzburg during the summer Mozart Music Festival (recall the "Sound of Music") is a spectacular show of colored lights on Cathedrals, fountains, and statues. Amazingly, all of our shots turned out great!

I had such an appettite for my own Camera by then that I dreamt of the day I could own my own SLR. When I was fairly new at my new home in Vinh Long, I went into the PX one day and saw two Canon FTb's on the shelf. I knew this was a rarity for our tiny little PX and decided to grab it while it was still there. (the other one was gone by later that day - I checked). I never regetted it. Kept it for years until it was stolen from my car at a constructiuon site in Denver.
Stayed out of the hobby for a short time and then got sucked back in to buy a beautiful all-black Minolta XD-11 and several lenses. Used it for a lot of the kids growing up picutes but needed to raise cash and sold it all.
Later, I got back in with a Pentax SLR - forget the model? Then got all three of my kids a Penax K-1000 so they would have to learn to do it all manuall - and thus understand it. They still enjoy it, but one daughter has gotten really serious and uses it for her blog about raising kids with gardneing, cooking, and books. She's gotten quite good.
I would love to get back in, but I'm being stubborn and choosy.
NOTICE: Donations to Dave's camera purchase fund will be accpeted in cash, fine jewelry, rare stamps, or gold dubloons.
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