Message Forum

Welcome to the Watterson High School Message Forum.

The message forum is an ongoing dialogue between classmates. There are no items, topics, subtopics, etc.

Forums work when people participate - so don't be bashful! Click the "Post Message" button to add your entry to the forum.


 
go to bottom 
  Post Message
  
    Prior Page
 Page  
Next Page      

09/29/19 11:53 PM #6232    

 

David Mitchell

Mike B,

Your post was terriffic! You gave much more clarification on these two men and the heritage they each left to us.

I was not taking a position, only trying to relay my understanding of your earlier post. 

 

Without going in too deeply, or without getting too political, I strongly oppose buidling a wall.

(In fact, I think it's simply nuts - an utter boondoggle!)

As I mentioned almost a year ago, I think the money could be far better spent to combat the "problem" by realistic an practical assistance at the very sources - such as the desperately poor Hondurans of the northern provinces of Honduras (mostly Mayan descendent minorities -  who are neglected, mistreated, and almost completely unrepresented by their own government.

(added later - AND HUNGRY!)

 

And today, there is so much power in the hands of the local gangs, that those people live in nightmares not unlike thoe of Syria and Iraq - only the type of weapons and the scenery are different.

One young congressman has argued that both sides of the "wall issue" should shut up and just go stop the gangs. Worth pondering.

 

It's my understanding that Honduras, Guatamala, El Slavador, and to a lesser extent, Nicaragua have become such poor, crime-ridden, corrupt, and violent cultures because of generations of our own meddling in their socio-political economic systems. Back in the early 20th century, we let companies like United Fruit Company deal ruthlessly and without regulation in the raping and profiteering of those people for the priviledge of making profits from the banana trade. I beleive we actually assised in assasinations of freely elected leaders (whose only crime was to want their own country), and helped place the control back into the hands of Mafia "Robber Barron" families like the Samozas of Nicaragua - who did nothing more than rape and pillage their own countires - under the guise of being "opposed to Communism". 

But as a reaction to that, we have left the door open for the left-wing guerilla movements of those areas, such a s Daniel Ortega, the former Sandanista leader, who, as the present leader of Nicaragua, (who also fought a corrupt and violent right-wing goverment) now poses as a "democrat", but holds power over the entire governemental apperatus.

 

I have a good friend who is in and investment group that plunged a lot of money into a real estate development in Nicaragua back when peace had "broken out" (when was that? back in the 80's? - the lady in the wheel-chair that got freely elected ??). He tells me how the Ortega Goverment has blocked almost everything they try to do. They have come to a complete standstill and had to lay off hundreds of well-slaried employees. And meanwhile Ortega pays for hundreds of buses to bring the poor people in from the rual villages, feed and house them for a few days during the elections, and surprize, surprize - re-elect him. He has completely strangled the economy, while he resides in a huge mansion in the capital. 

 

In these countries, we see examples both on the left and on the right, all serving themsleves at the expense of their own working class citizens. 

It is my opinion that politics and power can be so corrupt - on either side -  that merely trusting the so-called "party line" over facts and real solutions, will ultimately lead to more severe division, more government waste, and failure. I have always felt that somewhere between the extremes of "Left" and "Right", exists a hundred small points of truth that might actually be worth trying.  

In case you have misunderstood me;

I think I have made myself quite clear in past posts (trying to get away from that topic), I have no respect for, or allegience to, a narcisistic "whore-mongering draft dodger". I may lean somewhat to the conservative side on most issues (not all) - and less so than I once did before a man named Cheney broke my trust. But my fundamental principles of basic morality are not for sale, not even for "thirty pieces of silver".

Not even if it means "winning".


09/30/19 12:09 AM #6233    

 

David Mitchell

Larry,

I also enjoy your art work. But as I suggested before, I think your black and white line drawings are superb - somehow more powerful than the paintings.

There is just something about them?   


09/30/19 06:54 AM #6234    

 

Donna Kelley (Velazquez)

Beautiful work, Jim.    Larry's photography shots and yours are a treat to the senses. Thanks for sharing.

Mark, if some of you decide to visit Barcelona next year I would be happy to help organize it from this side.  October is usually a good month for the weather and fewer tourists.

 

 

 


09/30/19 09:01 AM #6235    

Lawrence Foster

Thank you to all the folks for your kind words about the Kenilworth pics.  I was fortunate to be in a beautiful place and I do enjoy sharing the beauty of this world as I come across it.   

Dave your feedback about the pencil sketches (which I appreciate) and Janie's also from over on the User Forum are prompting the following.   

There is something about the pencil sketching that also resonates with me as it does with others.  I do struggle with colors at times when painting.   Originally I started doing sketches as a sort of rough draft so that I could then duplicate it with colors.  But over time I think that what I like about sketching is the amount of control I have over the pencil and how the lead forms distinct shapes on the page.  Paints are harder for me to control and blend and shape.   (Sidebar:  If anyone just started doing a Freudian or Jungian psycho-analysis of that last statement about how I may be trying to understand and control things in my life (past and present) you can save yourself the time.  I have been down that path lots of times over the years and I still do go down the path now and then!  For me it's a fun journey and I am still learning.)  Okay moving on now...  

A couple months ago I had a thought about how artists might see their creations.  I have always enjoyed Impressionist painter Claude Monet.  His loose painting and interpretive colors cause the viewer to make adjustments with their eyes and with their brains to understand what the image is showing.   As a result the viewer becomes interactive with the painting and it "speaks" to the viewer.  Next time you go to an art exhibit realize you are doing a lot more than just standing there looking at a painting.  Not all paintings will be ones you like but you will be having a "conversation" with it.  And with just a slight touch of the A.D.D and "Senioritis" that we all are developing it could be a fun conversation!  

Another artist I like is photographer Ansel Adams.  To me he is very much the opposite of Monet.  Not just that his images are in black and white but also that they are so very sharp and distinct - not like Monet's soft blending of shapes. 

So my A.D.D. kicked in and I wondered, "What if Claude Monet had the artistic vision that Ansel Adams had?  What would his paintings look like?"  And from that thought I made the following two sketches of Monet paintings.  And I will likely do more.  Once I have maybe a half dozen sketches I will flip the coin and look at Adams' black and white photographs and try to paint them in Imprerssionist colors and style. 

First is Wheatstacks (end of Summer 1890-91) and then is Tulip Fields, Rijnsburg Windmill.   

Wow...what a trip this has been so early in the morning.  For me this has been a great way to start the day.  Hope you all have a good day today - and everyday.  

 

      


09/30/19 10:43 AM #6236    

 

Michael McLeod

Really good work Larry. I think this is the most impressive work I have seen you post.

I have just finished a chapter of a book I am co-writing after working on all year long, and I have the strangest feeling of freedom being somewhat of a disconcerting shock - like I am a critter just released from a cage, blinking in the light. 


09/30/19 12:08 PM #6237    

 

Mark Schweickart

Donna – October would work for me. Janie, Clare, and you other organizing-type folks, what do you think? Any takers? (Obviously, not this October, as in tomorrow, but next October. Or will we all be too panicked by the upcoming election in November to be able to enjoy ourselves?)

Mike – What's the book about that you have been working on?

Larry – Good sketches, although I have to admit, I was taken aback by the way one of the windmill propellers seemed to be oddly bowed. I googled the Monet painting I saw that it was done this way as well. I think that in the Monet, maybe this is done to try to give a sense of the propellers spinning, and it works (sort of) due to his use of color in the air around the various blades. No doubt, this would be harder to duplicate in black and white.  Do you think this is what is going on, or is there some other explanation for that one blade being so oddly shaped?

Apropos of nothing – If you haven't been following the Ken Burns documentary on PBS about Country Music, I would highly recommend it. Boy, when that guy tackles a subject, consider it tackled. The visuals he comes up with from his deep dive into old photos and film is amazing, and of course the music incorporated is terrific (assuming you are not put-off by country music, that is).
Another recommendation is in theaters now -- Judy, starring Renée Zellweger. I know it has gotten mixed reviews, but I thought it was quite powerful, especially the way Renée performed the songs (apparently not only doing her own singing, but her songs were filmed live, not to playback). Very impressive, the way her old songs (not that she wrote them) seemed to speak to the pain of the moment. It's not a happy film, but quite a good one in my opinion.
 


09/30/19 12:18 PM #6238    

 

James Hamilton, M. D.

Larry, 

As an Ansel Adams and Larry Foster fan, I think you should do (if you have not already done so) pencil sketchings of his Yosemite photos. His images of El Capitan and Half Dome would be great subjects for your medium.

Jim ​​​​​​


09/30/19 12:34 PM #6239    

 

David Mitchell

Larry,

Dear fellow A.D.D.er

Monet, and Adams. You are checking all the right boxes with me. 

I believe Adams either invented (or at least advanced) the "Zone System" of photography. He learned to manipulate the dynamic range beween the highlights and the shadows - both from the camera and in the darkroom (which is all done digitally in camera now). I got to study his work in some photograpy classes years ago (before digital cameras). Love what he did.

* (perhaps the "Zone System" was the brainchild of Matthew Brady in his brilliant - if brutal - Civil War photography? I'd have to go back and check.) 

As for Monet and his French Impressionist bros, it's all my favorite choice of painting. But I would throw in an  American Impressionists. Have you ever seen any Winslow Homer? Well, he's really sort of half way between Realism and Impressionism - if there is such a thing.

 I love his sea coast stuff - both in the boats, and girls waiting on shore. 

Here's a bit of his own humor. Most of his stuff is serious.

 


09/30/19 01:25 PM #6240    

 

Michael McLeod

Mark: It's a series of profiles of Rollins College graduates over several decades who have gone on to fame and fortune, or at least have some sort of interesting life-story material to talk about.

Nothing too fancy but the money was good.


09/30/19 01:38 PM #6241    

 

David Mitchell

Mark,

Thanks for offereing cover for those of us cowards to come out and admit we actually watched the Ken Burns Country Music program. I thougth I'd probably like it, but I was wrong. I loved it!

Sooo many wonderful insights. Hank and Patsy, The Carters, Johnny, and Merle, Dolly and Waylon, Kris,  Tammy, and and Brenda Lee, and one of my favorites, Country Charlie Pride.

"Is anybody goin' to San An-tone,,,,,er Phoenix,,, Ar-izona?

But I finished it with a serious question - so I'll ask it here in this bastion of world wide knowledge, this court of world opinion.

They had a late episode (maybe the last one) where they rushed us through a lot of the modern people - George Straight, The Judds, Kathy Mattea (another favorite), Garth Brooks, Randy Travis, etc.

My question is, WHERE IN THE HELL WAS CLINT BLACK? Did I miss something?

Please respond if you know. I am dumbstrcuk that he was omitted.


09/30/19 03:34 PM #6242    

Lawrence Foster

Jim:   I have looked at the Ansel Adams Yosemite photos and I do see some great ones of the Dome, El Capitan, and the various water falls there that intrigue me.  I also like one of his other ones called Lonesome Pine - Sentinel Dome.  It reminds me of the other Lonesome Pine/ Lonesome Cypress at Pebble Beach photo.

Mike:  Thank you for the encouraging feedback.  It is good to hear.

Mark:  Great thoughts about the windmill blade (bottom left) that is curved.  I too looked it up on the internet and then I blew it up as large as I could here on the computer to see if I was missing something or what.   I like your idea that he did it that way to suggest motion of the blades and movement of the air.  I just had not thought of it that way - well said man!  Of course it may be that he really wasn't doing that at all.  It may be that he had come up with the idea after drinking a "Colt .45 malt liquor" somewhere down on the winding roads of Overbrook Drive and he was just buzzed when he got to that part of the painting.  Not saying it really happened like that but ...  wink  Oh, I am not saying that I must have a bit of mead or a rusty nail to drink every time when I draw or paint, but sometimes I do enjoy a small bit of tipping and sipping while I'm drawing and painting.

Dave:  Homer Winslow is another artist I have enjoyed seeing.  There is a good collection of his work at one of the smaller Smithsonian museums called the Freer Art Gallery as well as at the National Gallery of Art.  There is also a lot of Whistler's work there too that is much better than the portrait of his mother, which is good. 

I found a good article about the "zone system" of photography at Wikipeidia that you mentioned Dave.  I had not heard of it before so I looked it up.  It is similar to gradation of black and white drawing that I have become familiar with but it is a lot more technical!  Way beyond me!  There is also a gradation used for colors in painting that has a similar structure to the zone system photography.  It was a good read.  Thanks for pointing it out to me.  

Dave, I also find other Impressionist movements very enjoyable.  I just started off with Monet becasue he is the one credited with starting it even though it really was a group of painters who did so.  If I remember correctly the movement got its name when a critic wrote about the exhibit that was being put on and satirically named it after one of Monet's paintings titled "Impression, Sunrise."

Okay, signing off for a while.  Time to let others join in.  Once again, thanks to allfor your feedback and comments.

 


09/30/19 04:08 PM #6243    

 

David Mitchell

Larry,

Let me distill about 900 pages on the technique known as the "zone system".

In the old "film " days, the idea was to over expose the original photo, and then under-develop in the darkroom. This improves "dynamic range" - the shadows are more visible and the highlights are not "blown out" (too bright). The new digital cameras are able to do this for us if we know the right settings. 

Brady used it. Adams mastered it. Many others have tweaked it.


09/30/19 08:53 PM #6244    

 

Mark Schweickart

Dave – My son has been working on the post production of Ang Lee's new movie, Gemini Man, that will be coming out in a couple of weeks. He mentioned that it will be screening in different formats depending on the capabilities of the projection systems in the various theaters. He suggested I look for ones projecting in 3-D at 60FPS and HDR, the latter standing for High Dynamic Range, which apparently is something fairly new digitally, but obviously from your comments, also something very old conceptually. The film also boasts being the most elaborate in using the new de-aging effects, as Will Smith portrays both himself at present age and at age twenty. Derek (my son) speaks very highly of the technical aspects of the film, but in all honesty is not all that impressed with the basic story line. I can't help but feel that it is a shame for them to put that much effort into a rather mundane script. But who knows, it may be better than he said, but probably not. I will report back once I see it.


09/30/19 08:53 PM #6245    

 

Mark Schweickart

Larry – here's my favorite Impressionist painter story (true story). In 1865, when a 24 year old Renoir was just getting started, he and Claude Monet would sometimes paint together in a wooded area in the countryside about 60 miles from Paris. One day, while there alone, Renoir heard a crashing through the bushes in the distance. Investigating, he found a man suffering from exhaustion, slowly pulling himself from a stream he had collapsed in. This was Raoul Rigault, a self-styled revolutionary, who had been imprisoned for denouncing Napoleon III in some of his writings. He had managed to escape from prison and was furiously on the run when Renoir found him. Renoir listened to his plight, decided to help him, and went back to his place in the local village to fetch food, as well as an additional easel and canvas. While he was gone, he had placed Rigault at his own half-finished painting on his easel there in the forest, gave him his painter's smock to wear, and coached Rigault to say, if any authourities came looking for him, that he was Claude Monet. After a couple of days of recuperation, the fake Monet, went on his way.

Fast forward to 1871 – Renoir is in Paris, and doing his best to ignore the chaos that has engulfed the city during the Communard Revolt, and the fighting going on in the streets throughout the city. He decides to make his way to a quiet area on the banks of the Seine, where he sets up his easel, and begins painting a scene of the river and a bridge in the distance. Some passing Communards see him, and become convinced that he must be a spy watching the traffic on the bridge. They attack him, throw his painting into the river, and then drag Renoir into the river as well. Suddenly a Communard Commander rides up on horseback, and demands to know what is going on. "We are drowning this spy," he is told. The Commander turns out to be Raoul Rigault, who recognizes Renoir, and fortunately for all of us who love Impressionist paintings, put an end to their attempts to drown his old friend from the forest. Thank you, Raoul.


09/30/19 11:28 PM #6246    

 

David Mitchell

Some of you might find this interesting - or NOT - (ranging from funny to disturbing).

Today (Monday) Justin Beiber and his bride of a year, celebrated a "formal" wedding ceremony at nearby Palmetto Bluff, just outside Bluffton. The video below is long (watch as little or as much as you like) but gives some idea of the style of this pricey community in a nature preserve on the May River that I live across from - and can see across the river, with its 5-star Hotel Montage.

My second job - limo driving - takes us there often to drop and pick up at the Montage hotel or some of the multi-million dollar residneces. The wedding couple insisted that the entire 20,000 acre resort be shut down for the wedding. He actually paid hotel guests to leave early and the hotel ordered them to cut short their vacations and leave by noon yesterday (Sunday). And get this, local residents of the village were told they were not allowed to use the facilities on site (5 restaraunts, 3 pools, golf, world-class shooting range, kayaking, boat docks, horse stables, tennis courts, 4-lane bowling alley, etc.)

So we had the busiest day ever, driving a number of parties from the hotel to the Savannah airport.  

The place is a very expensive, very shee shee, yet extremely understated, and low key. Only 2,000 acres of the entire 20,000 are allowed to be developed. And virtually all of the homes and buildings are "Low-Country Cottage" or similarly rustic. You'd have to see it to understand how posh, how tasteful, yet how remote it is. 

* My take: for a fraction of the cost, he could have fed thousnads of homeless, or paid college tuition for hundreds. 

Added later: I just now realized the father of the bride is Stephen Baldwin.     zzzzzzzzz!




10/01/19 08:54 AM #6247    

Lawrence Foster

Mark -  Your story about Renior, Rigault and Monet is wonderful and gave me a good laugh.  I had never heard it before.  I got a kick reading it, thanks for sharing it.  

And here is one last - rather one more art thingy if any of you are interested.  I have a blog page that I update once a month with a piece of art and/or photos.  It is at www.landoflarry.com.  I posted another pencil sketch and accompaning photos.    

 


10/01/19 05:29 PM #6248    

 

Thomas McKeon

Joe so sorry to hear about your brother our prayers are with you but your brother is in a great place 


10/02/19 11:08 AM #6249    

 

Michael Boulware

Joe,

So sorry to hear about the loss of your brother. It is comforting to know that good people go to heaven. 


10/03/19 07:56 AM #6250    

Joseph Gentilini

Thank you for all the messages of sympathy on the death of my brother.  THANKS.  Joe

 


10/03/19 11:29 PM #6251    

 

Michael McLeod

https://www.youtube.com/watch?v=AZO8N3ubmxY


10/04/19 05:25 AM #6252    

 

David Mitchell

Mike,

I have no idea who that guy on the left is, but the guy in the middle was my dad's favorite TV show back in the day.

 


10/04/19 11:35 AM #6253    

 

Daniel Brown

Mike,

Ha.


10/04/19 11:44 AM #6254    

 

Michael McLeod

Same here.

That's a rare post - part political, part sentimental.

As with other tv we remember from childhood, the plotlines and humor of all those shows reflect writers and acting styles heavily influenced by vaudeville. 

Also, when we were children, we watched television mostly as a family. And not All The Time. Don't know about you but in grade school I watched Mickey Mouse Club with my sisters after school and then watched whatever my parents were watching - as a family, sitting on our "davenport" -  in the evening. One tv set. Three channels. And the tv set got turned off at night because there were no broadcasts to watch, so it wasn't omnipresent, potentially part of our lives every single moment of the day. It knew its place. It stayed downstairs when we went upstairs, curled up on the rug down there and went to sleep, more like a pet than a participant capable of nosing in on our lives 24-7. It was a healthy, upstairs-downstairs domestic alignment.

I know I am not saying anything that everybody doesn't know already, but it's just worth musing over -- how much modern telecommunications influence our lives in a way they did not, back in the day - when life, if you stop to thing about it, was more REAL - experienced first-hand rather than via cell phones and 24-hour news cycles and even this oblique techno-communication you and I are having right now. 

 

 


10/04/19 01:10 PM #6255    

 

David Mitchell

Mike,

You are making me feel old. 

How old?

Why, I'm so old I can remember clear back when "comedy" was funny. 

I can even remember when there were good family dramas, with actual literary or historical content. Even some live dramas. 

My 3 grandkids know about angry unicorns and fighting ninjas. But they have never heard of Cowboys and Indians. Or Pioneers, or Mountain Men, or Revolutionary War figures. Or Robin Hood, or Pirates, or Knights in Shining Armor. 

Wow!   I must be old.

 

Ohh Poncho!    Ohh Cisco!

 

---------------------

Did Lightening just strike on the post before you?  That long-winded post just before you reminded me of a guy in our class with the initials D.B.  

Nah, couldn't be the same guy.


10/04/19 02:26 PM #6256    

 

Michael Boulware

Gosh Dave!!!! You know a lot of stuff about a lot of stuff. You ought to watch Jeopardy with Fred Clem. He gives out answers before I finish reading them. I bet you two would be a tough match-up. I just heard from Steve Royer's wife, Lynn. She is one of my favorite people and would be a challenge to you and Freddie as well.

 


go to top 
  Post Message
  
    Prior Page
 Page  
Next Page