John Jackson
Mike, this whole sorry episode has left me with a really bad taste in my mouth. I can’t help thinking your “plague” challenge was just a trick question designed to sucker in and embarrass poor engineers like me. I confess that I cheated and Googled your quote and it came back – “Music Man” (I swear!). Or was I just a victim of that “Fake News” stuff that everyone's talking about?
After flaming out in such an inglorious manner (and to try to rehabilitate my image as someone who only posts tiresome anti-Trump diatribes), I’ll mention that Carol (my wife) and I usually take some type of fall trip and this year we’re going to Ottawa, capital of our great neighbor to the north. We’ve been there a few times over the years and it’s a lovely city, very green and park-like with both the Ottawa River and the Rideau Canal system (built in 1827 to connect Ottawa to Lake Ontario and the St. Lawrence) winding through the center of the city. The city is small and walkable - wherever you stay you can easily walk to Parliament Hill or along the canal (now devoted strictly to recreation) or you can even cross the river on a footbridge and you’re in Quebec.
Normally we go when the fall colors are at their peak but this year we’re going a bit later to see a concert by Loreena McKennitt, a Canadian singer, at the National Arts Center (which I assume is Canada’s version of the Kennedy Center in Washington). She got her start writing/making music for the Stratford (Ontario) Skaespeare Festival but has been on her own for the last 30 years or so. She writes most of her own songs (a few are traditional) and they mostly have ancient Celtic themes but some also have Middle Eastern/Moorish influences (it sounds odd but it works). I thought of her now because she’s put some excerpts from Shakespeare to music as well as classic English/Irish poetry including Tennyson’s “Lady of Shallot” and Yeats’ “The Stolen Child”.
It may sound kind of ethereal and high brow, but IMHO she takes some fairly esoteric musical themes and really pulls you in. The links below are all from a concert she gave at the Alhambra in Granada, Spain in 2006. PBS showed it as a special (maybe some of you saw it). As usual, YouTube video quality leaves a lot to be desired, but I have the DVD (remember those?) and when it’s played on a big-screen TV hooked up to a decent sound system it’s pretty awesome. For this concert she’s accompanied by three musicians (playing electric fiddle, cello, and guitar/mandolin/electric guitar) who have been with her since the start and another half dozen local musicians playing ancient/exotic/really obscure instruments (any oud or hurdy-gurdy fans out there?)
The first link below is to one of her own compositions and Halloween-appropriate, “All Souls Night” and the second is Yeats’ “Stolen Child”. The last, my favorite, is “The Bonny Swans” an ancient song with many, many versions – details vary from version to version but all tell the story of a young woman who drowns her younger sister in a fit of romantic jealousy. The song has a fantasy/fairy tale aspect – the older sister gets her comeuppance when the drowned sister’s body is transformed first into a swan and then into a harp. The harp somehow makes its way to the court of the king (who happens to be the father of the sisters) where it starts to play and sing on its own, telling the story of the older sister’s treachery. Are you all with me on the story line? Ok, even if you’re not, listen to the guitar riffs - Led Zeppelin devotees might scoff, but for my money the guitar work approaches “Stairway to Heaven” territory.
All Souls Night: https://www.youtube.com/watch?v=Kp2cOUb_Wgo
Stolen Child: https://www.youtube.com/watch?v=i2DcrSGl9E8
Bonny Swans: https://www.youtube.com/watch?v=SdRsRuGqDC8
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